Three New Publishers' Self-Retrospectives
Anthologies like these have critical value because they portray what publishers think they have achieved — and thus how they wish to be remembered. Reviewed by Richard Kostelanetz
Anthologies like these have critical value because they portray what publishers think they have achieved — and thus how they wish to be remembered. Reviewed by Richard Kostelanetz
These new translations of two of Max Jacob’s major collections should be recognized as welcome and essential. Reviewed by Patrick James Dunagan
In her new book, Laura Walker manages to preserve a sense of prayer while also reshaping the psalm into something new—a significant literary achievement. Reviewed by John Bradley
These reflections on teaching by novelist Tina Welling, which include non-judgmental sketches of her incarcerated students, make for a beautifully written memoir. Reviewed by George Longenecker
Ranae Lenor Hanson offers a personal map against which readers might chart their own ways through the uneasy waters of the climate crisis. Reviewed by Elizabeth Bailey
Just as collage allows one to reorder the universe, poetry uses language to forge or reconstitute personal connections that may have been lost or rendered remote. Reviewed by Christopher Luna
Alive at the End of the World is the work of a maturing poet, and perhaps a transitional work: the already-accomplished Saeed Jones has moved from the subject of his boyhood to the volatile racist politics of the here and now, as well as his worries for the future. Reviewed by Walter Holland
Pulitzer Prize-winning poet Rae Armantrout talks about breaking “out of the evangelical cage” as well as the process of writing Finalists and topics from censorship to grandparenting. Interviewed by David Moscovich