SMRTi
With a style exemplary of the international post-beat avant-garde, Nina Zivancevic’s travel writing is a welcome departure from the colonialist norm.
Reviewed by Jim Cohn
With a style exemplary of the international post-beat avant-garde, Nina Zivancevic’s travel writing is a welcome departure from the colonialist norm.
Reviewed by Jim Cohn
The artist Agnes Martin slips in and out of Lauren Camp’s new poems like a wraith, an invisible companion.
Reviewed by Richard Oyama
Mother Howl, Craig Clavenger’s first novel in eighteen years, is an ambitious crime story unafraid to be philosophical.
Reviewed by Gavin Pate
The third novel by Indian American writer Tania James, Loot, offers a corrective of sorts to Tipu Sultan’s reputation as a garden-variety despot.
Reviewed by Mukund Belliappa
Lynn Lonidier's poetry is invariably unique, and all the more valuable for it, as it realizes an idiosyncratic sensibility.
Reviewed by Patrick James Dunagan
In her new memoir Growth: A Mother, Her Son, and the Brain Tumor They Survived, Karen DeBonis draws upon the various meanings of the word with exquisite vulnerability.
Reviewed by Blair Glaser
In this thoughtful hybrid work, Dan Beachy-Quick’s sensitive translations use fresh language to cast new light on the words of ancient Greek thinkers.
Reviewed by John Bradley
Domenico Starnone’s previous novels are studies of repressed father-figures that move at thriller-like speed; his newest novel covers similar material, though its structure is more triptych than thriller.
Reviewed by William Braun
For poet Mike Lala, the city is ground zero for both the violence of history’s erasure and the deluge of its return.
Reviewed by Peter Myers
In her newest collection, Tricia Knoll offers a worthy addition to the poetry of trees.
Reviewed by George Longenecker