chapbooks

Rain Taxi not only provides reviews of thought-provoking literature, it seeks to contribute to the publishing of innovative and original works with two chapbook series, the Brainstorm Series and OHM Editions.

You can purchase Rain Taxi chapbooks with a credit card using the secure portals below, or send check or money order to:

RAIN TAXI
P.O. BOX 3840
MINNEAPOLIS, MN 55403

TITS ON THE MOON

by Dessa

38 pages, perfect bound
Published October 2022

Tits on the Moon features a dozen “stage poems,” many of which Dessa performs at her legendary live shows; they’re funny, weird, and occasionally bittersweet. The collection opens with a short essay on craft (and the importance of having a spare poem around for when the power goes out). Proudly published by Rain Taxi in association with Doomtree, Tits on the Moon features a stunning cover pressed with gold foil and structurally embossed, designed by Studio on Fire. 

$15, plus $4 shipping in the U.S.; contact us for International shipping costs


For more about Dessa, visit dessawander.com or find her online at @dessa on Instagram and @dessadarling on Twitter/Facebook

CROPS

by Grzegorz Kwiatkowski

translated from the Polish by Peter Constantine
32 pages, perfect bound
published 2021
 

Rain Taxi’s OHM Editions is proud to publish a stunning chapbook of verse by award-winning Polish poet and musician Grzegorz Kwiatkowski.

 
Watch the replay of our launch event featuring Grzegorz Kwiatkowski and Peter Constantine on our YouTube channel here!
 

Order here:

$10, plus $4 for shipping in the U.S.

Purchase this chapbook with U.S. shipping via Paypal here.


$10, plus $8 International shipping

Purchase this chapbook with International Shipping via Paypal here

 

"These poems’ voices are woven together in a subtle and ruthless tapestry: farmers speak of recurring massacres as if they were seasonal crop cycles; German soldiers remember the droll image of desperate people foolishly running in circles as they are hunted down in the fields; a six-year-old girl named Buzia reports in a brief and stark obituary how she was murdered. The poems are frightening testimonies: short, distilled, often cool and cold. Particularly frightening are the narrations of the perpetrators and the apologists, voicing in drab banality acts of sudden and devastating brutality. As Grzegorz Kwiatkowski warns: “We must not forget our tragic past because it might well return. The mechanism for its return has already been set in motion.”
—From the Translator’s Foreword

REVIEWS OF CROPS

What makes Kwiatkowski’s poetry effective, of course, is that he gives no setup, no commentary, no context—none is needed. What is needed, maybe, and what he gives, is to feel anew the jagged shock of the everyday casual voice that commended itself so easily to extreme violence. So clean and gorgeous an account of horror has probably never been written.
—Jesse Nathan, McSweeney's

How do you address a legacy of genocide through art? Crops has a daunting task before it, and what makes these works particularly impressive is the way that Kwiatkowski’s stark use of language offers a sense of absence throughout the book. This is haunting work in more ways than one.
—Tobias Carroll, Words Without Borders

Anyone who dares read this book will feel a chill settle deep in the bones.
—John Bradley, Talisman

These poems are brutal, strangely exquisite, and, unfortunately, still necessary. With his words and his music and his relentless campaign of stark honesty and regenerative connection, Grzegorz Kwiatkowski is a genuine glimmer of hope in a darkening world.
—Sam Lipsyte

I have found these poems to be emotionally compelling and profound. I expect fellow readers will enjoy this beautiful work.
—Imani Perry

Grzegorz Kwiatkowski once said, “I think that we should be conscious about the evil that is inside every one of us.” In his collection Crops, Kwiatkowski’s taut, tense poems sound the depths of our darkest history. Masterfully rendered by Peter Constantine, one of our most brilliant translators, Crops reveals that the unforgettable is also the undeniable. Is it beautiful? I say it is powerfully necessary, unrelentingly direct. I say it burns.
—Richard Deming

In these searing, darkly beautiful, indelible poems, Kwiatkowski reminds us of what, at our peril, we must not forget.
—Cynthia Zarin

Read this Rolling Stone review of Crops and listen to a song by Grzegorz Kwiatkowski's band Trupa Trupa: CLICK HERE!

ABOUT THE AUTHOR

photo by Tomasz Pawluczuk

Grzegorz Kwiatkowski (b. 1984) is a poet and musician, an author of several books of poetry revolving around the subjects of history, remembrance, and ethics. He is a member of a psychedelic rock band Trupa Trupa. He has been an Artist in Residence at numerous international literary programs and a guest lecturer at the University of California, Berkeley; Johns Hopkins University; the University of Chicago; Jewish Theological Seminary; the University of Cambridge and the Ted Hughes Society (“Crow at 50”); The University of Texas at Dallas, and Miroslaw Balka’s Studio of Spatial Activities at the Academy of Fine Arts in Warsaw. His music and literary works have been published and reviewed in The Guardian, Modern Poetry in Translation, New Poetry In Translation, CBC, Pitchfork, Los Angeles Times, Rolling Stone, Newsweek, Billboard, Spin, Chicago Tribune, Times, NPR, BBC and KEXP. As a musician, he performed with his band at such events as Desert Daze Festival, Rockaway Beach Festival, SXSW, Primavera Sound and Iceland Airwaves. Trupa Trupa was also invited to take part in a legendary NPR Tiny Desk session. Its music has been published by global record labels such as Sub Pop, Glitterbeat Records, Ici d’ailleurs and Lovitt Records.

“The Polish poet Grzegorz Kwiatkowski admits to his poetic affinity with Edgar Lee Masters. Although he borrows his approaches from Spoon River Anthology, Kwiatkowski emphasizes the differences too: ‘I’m very interested in history. My grandfather was a prisoner in Stutthof, the Nazi concentration camp east of what used to be the Free City of Danzig. Later he was forced to become a Wehrmacht soldier.’ Kwiatkowski’s poems explore not only conflicted pasts of Central and South-Eastern Europe (for example, the Nazi T4 Euthanasia Program), but also the paradoxes of contemporary genocides, for instance in Rwanda. As the poet explains, ‘I’m intrigued by the combination of ethics and aesthetics in one person, one life, one story.’ His minimalist poems have been perceived as quasi-testimonies, ‘full of passion, terror and disgust’, provocative and lyrical utterances delivered by the killed and the dead. Ultimately, they become portrayals of Death.” —from Modern Poetry In Translation

Publication Date: November 2021

For All Mutants

by Stephanie Burt

Poet, literary critic, and professor Stephanie Burt presents poems inspired by X-Men, pop culture, and more to explore love, romance, queer identities, fan cultures, powered-up princesses, red queens, pirates, retcons, and the spaces between the stars. Burt says, "As well as taking general excitement and inspiration from comic book superheroes and their cousins in film and TV, all these poems are transformative works: they describe, refer to, or speak for individual heroes and their stories." Cover art by Mara Hampson.

$10, plus $4 for shipping in the U.S. 44 pages, perfect bound

Purchase this chapbook via Paypal here.

$10, plus $8 International shipping

Purchase this chapbook with International Shipping via Paypal here.

Published 2021.

Walkers in the City

If the pandemic has awakened a peripatetic impulse in you, you’re not alone. Walkers in the City, edited by poet Dennis Barone, invites the reader to do some urban ambling in cities large and small, here and abroad, real and imagined. Featuring poems by Julia Blumenreich, David Cappella, Julie Choffel, James Finnegan, Charles Fort, Eli Goldblatt, Yusef Komunyakaa, Susan Lewis, Sheila E. Murphy, Maureen Owen, V. Penelope Pelizzon, Ines P. Rivera Prosdocimi, Clare Rossini, and Jerome Sala. See biographies of the poets below!

To traverse the country digitally, you can watch some of the contributors to Walkers in the City read their poems in this special video event presentation: Watch here.

$10, plus $4 shipping in the US.Published 2021.

Purchase this chapbook via Paypal here.

About the Authors

Dennis Barone is the editor of Garnet Poems: An Anthology of Connecticut Poetry Since 1776 (Wesleyan University Press, 2012) and author of Frame Narrative (Blaze Vox, 2018).
Julia Blumenreich received a Milken Educator Award. She is the author of Meeting Tessie (Singing Horse Press, 1994) and The What of Underfoot (Finishing Line Press, 2021).
David Cappella is co-author with Baron Wormser of The Art of Poetry: The Moves (Routledge Press, 1999) and author of Giacomo: A Solitaire’s Opera (Cervena Barva Press, 2021), in Italian translation from Bertoni Editore later this year.
Julie Choffel is the author of The Hello Delay (Fordham University Press, 2012). For the past three years she has been the Poet Laureate of West Hartford, CT.
James Finnegan is the co-editor with Dennis Barone of Visiting Wallace: Poems Inspired by the Life and Work of Wallace Stevens (University of Iowa Press, 2009). His poems have appeared in journals such as Ploughshares and The Virginia Quarterly Review.
Charles Fort is the author of We Did Not Fear the Father: New and Selected Poems (Red Hen Press, 2012) and The Last Black Hippie in Connecticut (a novel, forthcoming from Quale Press).
Eli Goldblatt is the author of Writing Home: A Literacy Autobiography (Southern Illinois University Press, 2012) and For Instance (Chax Press, 2019).
Yusef Komunyakaa has received the Wallace Stevens Award, the Ruth Lilly Poetry Prize, and the Pulitzer Prize. Everyday Mojo Songs of Earth: New and Selected Poems, 2001–2021 is coming soon from Farrar, Straus and Giroux.
Susan Lewis edits Positand is the author of ten books and chapbooks, including Zoom, winner of the Washington Prize (The Word Works, 2018).
Sheila E. Murphy is the author of Golden Milk (Luna Bisonte Productions, 2020). She co-founded and coordinated the Scottsdale Center for the Arts Poetry Series for twelve years.
Maureen Owen is the author of Edges of Water (Chax Press, 2013) and Erosion’s Pull: Poems (Coffee House Press, 2006).
V. Penelope Pellizzon is the author of Whose Flesh Is Flame, Whose Bone Is Time: Poems (Waywiser Press, 2014) and Nostos: Poems (Ohio University Press, 2000).
Ines P. Rivera Prosdocimi is the author of Love Letter to an Afterlife (Black Lawrence Press, 2018). She holds a Ph.D. in Comparative Literature from the University of Maryland.
Clare Rossini is co-editor with Benjamin S. Grossberg of The Poetry of Capital: Voices from Twenty-First-Century America (University of Wisconsin Press, 2021) and author of Lingo (University of Akron Press, 2006).
Jerome Sala’s Corporations Are People Too! was published in 2017 by NYQ Books.

Can't Stop Won't Stop

A chapbook of poems by Black writers in the Twin Cities responding to the murder of George Floyd, Can’t Stop Won’t Stop contains riveting works that, in the words of editor Mary Moore Easter, “call for breath to fill a single set of lungs, and to sustain a whole people.”

Featuring poems by Philip S. Bryant, Mary Moore Easter, keno evol, Sherrie Fernandez-Williams, Bernard James, Douglas Kearney, Michael Kleber-Diggs, Sagirah Shahid, and Maya Washington.


$10 plus $4 S&H in the U.S. Shipping costs added for overseas shipping.

Published October 2020.

For a video of the poets reading their works from various locations in South Minneapolis, made especially for the launch at Rain Taxi’s #TCBF, see here.

POSTCARDS FROM MONA

by Nor Hall

A selection of fifty-six postcards "from the plenum described by the philosopher Leibniz, a kind of a celestial earth space where all matter and movement come together," Postcards from Mona is a companion volume to Hall's earlier chapbook, Traces, a poem sequence published in 2010 by Rain Taxi. (For more on Traces, see here!) In these missives from various times and places written by "Mona" to her artistic collaborators at home, author and archetypal psychologist Nor Hall imagines history, myth, identity and more through the lens of a fascinating and timeless persona.

62 pages, perfect bound. Limited edition of 250 copies.
Published 2019.

$10 plus $4 S&H in the U.S. Shipping costs added for overseas shipping
Purchase via Paypal here.

STARTS SPINNING

by Douglas Kearney

From Harry Belafonte's "Jump in the Line" to Eric Clapton's "Tears in Heaven," Douglas Kearney's poems in Starts Spinning will have you saying yes YES. Short, personal takes on pop hits, filled with humor and pathos.

29 pages, perfect bound. Limited edition of 150 copies.
Published 2019

$10 plus $4 S&H in the U.S. Shipping costs added for overseas shipping.
Purchase via Paypal here.


Rehearsing the Symptoms

by Rosmarie Waldrop

33 pages, perfect bound.
Limited edition of 150 copies.
Published in March 2019.

"The hand gets ready to write. Could we not call this manual labor? Or a stage in the Great Work of rendering the corporeal cat incorporeal while giving her body to the bodiless word? Even if it's from despairing of my own body?" This riveting suite of poems tackles the big questions that come with existing on this odd, old world. It's worth the trip. Cover collage by Keith Waldrop.

Sorry, this chapbook is sold out. Signed copies are still available below.


26 copies are lettered and signed by the author. Signed copies are available for $100. You may purchase via Paypal using a credit card or bank transfer.

Calendar
by Anne Waldman
and Rikki Ducornet

by Anne Waldman and Rikki Ducornet

13 pp, 9" x 14" unbound broadsides.
Published in November 2000.

A collaborative work containing twelve broadsides, one for each month of the year, with new poems by Anne Waldman and artwork by Rikki Ducornet.

$18 plus $4 S&H in the U.S. Shipping costs added for overseas shipping.


26 copies have been lettered and signed by the author. A signed copy is available for $100. You may purchase a signed copy via Paypal using a credit card or bank transfer.

Elizabeth Gregory

by Kevin Carollo

Elizabeth Gregory is one of millions currently living with early onset Alzheimer’s dementia (EOAD), often referred to as “the long goodbye.”

Elizabeth Gregory combs the inner space of every mom in search of radical humanity.

Beatlemania is our compass. Dementia is our mothership. We say hello.

42 pp., 7" x 7", perfect bound. Edition of 200 copies.
Published 2018.

$10 plus $4 S&H in the U.S. Shipping costs added for overseas shipping.

Published in March 2018.