Amanda Boetzkes University of Minnesota Press ($25) by Deborah Karasov Since the mid-1990s, artist Chris Drury has constructed dark earthen spaces of rock, wood, dirt

R. H. W. Dillard Factory Hollow Press ($14) by Greg Weiss At first glance, the most striking thing about R.H.W. Dillard’s new volume is its

Martin Corless-Smith Fence Books ($18.95) by Daniel Tiffany Martin Corless-Smith’s fifth collection of poetry, English Fragments: A Brief History of the Soul, is a deeply companionable book;

Susan Briante Ahsahta Press ($17.50) by Abby Travis Utopia Minus is built on a subtle but pervasive distinction. Susan Briante takes her title from Robert Smithson’s A

Edited by Irene Gammel and Suzanne Zelazo The MIT Press ($34.95) by Gary Sullivan If, as according to the Baroness von Freytag-Loringhoven, “All America is

Lorna Dee Cervantes Wings Press ($16) by Sharon Olinka Cynics beware: this book will stir sensual memories, and make even the most jaded reader smile.

Forrest Gander photographs by Raymond Meeks, Graciela Iturbide, and Lucas Foglia New Directions ($15.95) by Justin Wadland Climatologists drill core samples from rock, soil, and

Adele Ne Jame Manoa Books and El León Literary Arts ($15) by Zara Raab Poets weave textures with words that reach back in threads of

Sarah Gorham Four Way Books ($15.95) by Nick DePascal Sarah Gorham's fourth collection of poetry, Bad Daughter, is a varied and dynamic meditation on the many

Cedar Sigo City Lights Publishers ($13.95) by Bethany Prosseda John Wieners, in “A Poem for Record Players,” states, “The scene changes”; it is more than