ISSUES IN CURATING CONTEMPORARY ART AND PERFORMANCE
edited by Judith Rugg and Michèle Sedgwick Intellect Books ($60) by Patricia Healy McMeans Issues in Curating Contemporary Art and Performance presents itself as a forward-thinking
edited by Judith Rugg and Michèle Sedgwick Intellect Books ($60) by Patricia Healy McMeans Issues in Curating Contemporary Art and Performance presents itself as a forward-thinking
Gary Copeland Lilley Ausable Press ($14) by John Jacob In Gary Copeland Lilley’s arresting volume Alpha Zulu, the long poem “Serial,” reads: She’s a collection of
Mebane Robertson Black Widow Press ($17.95) by Christopher Kondrich “Some guests are givens; some, some they surprise,” Mebane Robertson concludes the first poem in Signal from
THE O MISSION REPO (VOL. 1) a Repo of the O Mission Error Attacks on Unit Travis Macdonald Fact-Simile Editions ($12) LETTERS FROM ABU GHRAIB Joshua
Travis Jeppesen Social Disease ($31.95) by John Holten “If one were to compare Henri Matisse’s work to something, it would have to be an orange”—so
Jennifer DeVere Brody Duke University Press ($21.95) by Gregory Kirk Murray A puncturing of semantic space, Jennifer DeVere Brody’s Punctuation: Art, Politics, and Play performs at every turn
Noël Carroll Routledge ($19.95) by Nigel Beale This book is best read by the light of another, John Carey’s What Good are the Arts? (Oxford University Press,
Edmund White Atlas & Co. ($14) by Burke Bindbeutel Modern art has no Great Disruptor like Arthur Rimbaud. Paul Valéry, who emulated him decades after
Jed Perl Vintage ($15) by W. C. Bamberger I have a fondness for books that employ alphabetical structures. In the best of them—Louis Zukofsky’s Bottom: On Shakespeare, Steve
edited by Vigdis Ofte & Steinar Sivertsen translated by John Irons, James Anderson, Deborah Dawkin, Erik Skuggevik, Ren Powell, Don Bartlett, and May-Brit Akerholt The Maia