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Waldo & Magic, Inc.

waldoandmagicRobert A. Heinlein
Baen ($14)

by Ryder W. Miller

Waldo & Magic, Inc., by science fiction pioneer Robert Heinlein, presents two novellas from the early 1940s that were breakthrough works at that time. Heinlein is more famous for the novels he published during the 1960s, especially Stranger in a Strange Land (1961), but he also helped to usher in the Golden Age of Science Fiction that followed the era of the pulps. These short novels are examples of that earlier work.

In the introduction, Heinlein biographer William H. Patterson, Jr. writes, “‘Waldo’ and ‘Magic, Inc.’ are products of the first flush of Heinlein’s personal innovation, welcomed at the time as an escape from the pulp formulas of ’30s space opera.” These books fit more easily into the rubric of “science fantasy” instead of solely science fiction or fantasy, and they are suitable for both bright children and adults out for vicarious fun.

“Waldo” concerns the manufacture of machines named after the inventor that can perform all manner of feats; the reader meets the inventor and tags along for an intriguing tale. “Magic, Inc.” deals with outfits that sell magic as a commodity, and takes place in a strange, archaic-seeming future that not everybody likes. One character complains:

The country had gotten along all right in the old days before magic had become popular and commercially widespread. It was unquestionably a headache in many ways, even leaving out our present troubles with racketeers and monopolists.

The book features a lot of smoky back-room talk from the likes of business “movers and shakers.” There is plenty of action, but what stands out more is the rumination of the characters—it doesn’t quite reach the heights of Heinlein’s The Man Who Sold the Moon, but readers can get lost in this talk.

L. Sprague de Camp admired Heinlein’s “prodigality of invention, his shrewd grasp of human nature and his versatile knowledge of law, politics, business and science.” Fans of Heinlein are in for a treat with these two short novels, which have stayed in publication for over sixty years. Heinlein’s universe was large, and while these stories may not be signature works, they explore his earlier sensibility and are a reflection of his time.

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Rain Taxi Online Edition Spring 2015 | © Rain Taxi, Inc. 2015

Daughters of Your Century

daughters2Dan Thomas-Glass
Furniture Press Books ($15.99)

by Chris Martin

The poems in Dan Thomas-Glass’ first full-length book are formally agile without ever losing their ethical vigor. Ethics are the central concern of his writing and this concern is magnified through the lens of fatherhood, which he seamlessly, though never quietly, incorporates into his lyrical explorations. In this way, Thomas-Glass takes his place beside Farid Matuk (My Daughter La Chola) and Dana Ward (The Crisis of Infinite Worlds) in reinventing the Dad poem, or, as he writes to his daughters: “Kate, Sonia I wanted to write / a poem for you that a mother would write,” not usurping the writing of mothers, but endeavoring to live up to it.

Many great poets offer permissions of various kinds—formal, tonal, thematic—but the permissions offered in this book all boil down to a single affirmation: “Here’s to permission to care, amen.” In this affirmation, permission gives way to its higher calling, mission. It is with great care that Thomas-Glass fords our contemporary world, not side-stepping drones but gathering them up with his daughter’s unicorns and the breakfast cereal, moving forward in the labor of locating “Some honest brightness that could give us form.” This recalls Alice Notley’s great line: “I keep trying to be honest in this glittering wind.” And Notley is no doubt a key spirit of this book, as is Bernadette Mayer, poets who wrote Mom poems the way they wrote (and write) all poems, full of care and outrage and genius.

The contemporary world is fully alive in this book, as it must be. It is the air Thomas-Glass and his daughters share, and nowhere is this more evident than when it’s filled with music. Thomas-Glass’ earlier chapbook, The Great American Beatjack Volume 1 (Perfect Lovers Press, 2012), presented a mash-up of voices, breaking down the invisible line between lyric and lyric as Biggie drops verses on Anne Bradstreet and vice versa. In Daughters of Your Century, lyric becomes the root of conversation: “Sonia wondered if / Frank Ocean means / it when he says / he says I don’t like / you.” He says he says and we wonder about it when he sings. We live in our songs and they bring life to our poems: “In one / now I sang & typed at once— / is that wrong?” Love songs, love poems: “This / is my real love for you / as I lived it, in exactly / these colors.” The heart of this book throbs like a song, past embarrassment and toward a history of feeling; it also provides a fitting soundtrack to parenthood, which is simultaneously ecstasy and heartbreak. We need poems like these. We need them to tell us how we felt, especially in the early days when being too alive obliterates memory, and moments can’t accommodate the onrush and overflow of feeling. In Daughters of Your Century, Thomas-Glass writes against the loss of it, of them, “this small / wild beast, crammed into these moments as / she precisely must be.”

Despite the so-called “cramming” this book actually feels quite airy, with plenty of room for grace and finesse. And despite (or because of) the refrain-like evocations of a dark war bristling with crosshairs and drone strikes, the poems also brim with light and stars. “Light is an intersection / with Sonia shouting to the stars / Are you listening? / Are you listening?” And: “how reaching out we touch a light / that is brighter than the blankest slate.” And speaking of the stars that are us: “They watched / & felt their cores explode / At such impossible hapless grace.” It is a book about the war dead and the newly and dearly alive, presence and absence together leavening belief, allowing all that’s incommensurate and beyond resolve to suffuse the labor of song:

& Sonia Alma everyone
I’m writing this in part to tell you that if you ever wonder what you’ve done in yr life
& everyone does wonder sooner or later
You have been grace to me
Something more than a miracle

Rain Taxi Online Edition Spring 2015 | © Rain Taxi, Inc. 2015

The Book of Strange New Things

bookofstrangenewthingsMichel Faber
Hogarth ($28)

by James Naiden

Futuristic fiction tends to be believable in that none of us knows what the world will be like in half a century, and absurd because the present is all we have by which to judge the plausibility of a fantastic tale. Such was the case in 1888 when Edward Bellamy published Looking Backward, considering American life—or English or French, perhaps—as it might be in the year 2000, a distant lodestar at the time. Perhaps Bellamy, who did not see the twentieth century, would have written more if he had lived longer. He certainly would have liked Aldous Huxley’s 1932 novel Brave New World, about twenty-sixth century England, and 1984, George Orwell’s acerbically utopian depiction of life in a distant year.

Now we have Michel Faber’s The Book of Strange New Things, written in a time of stress and grief for the author, whose wife died of cancer in the summer of 2014—this novel is dedicated to her, understandably. Faber was born in Holland, educated in Australia, and now lives in Scotland. He recently let it be known that this volume, his third work of fiction, will be his final novel, a vow one hopes he won’t obey because of his talent and perseverance in the art of the long novel.

The Book of Strange New Things is an admirable tale, although one bogged down by verbal excesses (it contains many references in the undecipherable language of another universe) and a seemingly endless fascination with bodily functions. In Faber’s narrative, the mysterious entity “USIC” has recruited an English missionary named Peter Leigh—a thirty-something Christian convert with a shady background of drug taking, thievery, and other misdeeds—to travel in a “Jump” to Oasis, a distant planet perhaps not in the same universe as Earth. The Bible is known on Oasis as “the book of strange new things” and those natives that take Peter seriously are named “Jesus Lovers” by number:

He took up his position at the pulpit, and rested his fingerprints on the burnished toffee-colored surface where he might spread out his notes. The pulpit was slightly too low, as though the Oasans had made it for as tall a creature they could imagine but, in his absence, had still underestimated his height. Its design was modeled on the spectacular carved pulpits of ancient European cathedrals, where a massive leatherbound Bible might lie on the spread wingspan of an oaken eagle.

While Peter attempts to build a church with the help of those who believe, he is fraught with disturbing messages from his wife back in England via “the Shoot,” a system of communication which resembles the Internet. She has gradually been diminished by her lack of faith as she is beset with one crisis after another, and her messages reflect a deep longing for her husband, as do his for her. There are some fellow Earthlings at the USIC base with whom Peter gets along well enough, but still there is a lack of empathy as everyone has problems on this distant planet.

There are frequent quotations from the Bible, principally the New Testament, as Peter and his wife communicate; there are also references to “earth” when the author refers to Oasan ground, which is not our Earth, supposedly. As the saga sprawls out, one gets the feeling that it might have been compressed by a good deal to its benefit, for while Faber’s prose is smooth, the occasional flaws and inconsistencies are noticeable. However, despite its length and lack of careful editing, The Book of Strange New Things is a credible story, especially given its futuristic and not-quite-utopian underpinnings. One can only hope that this book is indeed not Michel Faber’s final novel—he’s too inventive and good a writer to quit while only in his mid-fifties.

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Purchase this book at your local independent bookstore.
Rain Taxi Online Edition Spring 2015 | © Rain Taxi, Inc. 2015

Spring 2015

INTERVIEWS

Of Film and Smoke: An Interview with Iain Sinclair
Interview by Paul McRandle
The British writer and filmmaker talks about epic journeys, American Smoke, and escaping London with John Clare.

Tapping into a Rural Religion: an Interview with Nick McRae
Interview by Connor Bjotvedt
Poet McRae discusses his award-winning chapbook Mountain Redemption, which focuses on the role of tradition and the emergence of Christian religions in mountain towns.

FEATURES

Am I an African?
Nigerian poet Aderibigbe explores the question: Can blackness equate Africanness?
An essay by D.M. Aderibigbe

Pioneer Girl: The Annotated Autobiography
Laura Ingalls Wilder
Wilder’s autobiography is a fascinating study in memory, rationalization, novelization, and the re-fashioning of history, as well as literary marketability.
Essay by Wayne Scott

Two Books on The Beast
Reviewed by Spencer Dew

Aleister Crowley and the Temptation of Politics by Marco Pasi
Aleister Crowley: The Beast in Berlin: Art, Sex, and Magick in the Weimar Republic by Tobias Churton
Two new books take a closer look at occult hero and gadfly Aleister Crowley—through the prism of his politics and his time in Weimar Berlin.

Sketches of AWP
Documentary drawings by Minneapolis artist Anita White of the riot of literary love that was AWP 2015

POETRY REVIEWS

Citizen: An American Lyric
Claudia Rankine
Rankine has created a text that blends poetry, narrative, essay, and visual art, going even beyond the publisher’s “Poetry/Essays” label into something far more complex and moving: an American Lyric. Reviewed by J.G. McClure

Lupa and Lamb
Susan Hawthorne
Hawthorne is a master-weaver, and her sixth book of poetry takes strands of myth, history, and new inventions to make a strong fabric of sisterhood. Reviewed by Heather Taylor Johnson

Daughters of Your Century
Dan Thomas-Glass
The poems of Thomas-Glass’s first full-length collection concern ethics as magnified through the lens of fatherhood. Reviewed by Chris Martin

Post Subject: A Fable
Oliver de la Paz
This collection of epistolary prose poems offers intriguing glimpses of a fallen empire. Reviewed by John Bradley

Reckless Lovely
Martha Silano
Silano’s breathless collection begins with the Big Bang and goes on to explore a quirky metaphysics. Reviewed by Janet McCann

Seascape
Heimrad Bäcker
The spare letterpress cover of Seascape matches the sparse language of the multi-paged concrete poem inside. Reviewed by Rebecca Hart Olander

FICTION REVIEWS

The First Bad Man
Miranda July
The First Bad Man displays July’s strength and particular delicacy, echoing character qualities and themes that will be familiar to her fans. Reviewed by Erin Lewenauer

Family Furnishings: Selected Stories 1995-2014
Alice Munro
In this magnificent collection of stories, one can freshly discover why Munro was awarded the Novel Prize in Literature in 2013. Reviewed by Keith Abbott

Bombyonder
Reb Livingston
Livingston reinvents fictional character and narrative pattern while embracing the perplexities of prevarication, the imaginative value of absurdity, and the delights of wild artifice. Reviewed by John Parras

The Book of Strange New Things
Michel Faber
Faber’s futuristic tale of a Christian missionary sent to a distant planet to preach is his third and, according to him, final novel. Reviewed by James Naiden

A Girl is a Half-formed Thing
Eimear McBride
This debut novel begins with a jolt to the reader’s sense of language and reality. Reviewed by Alex Brubaker

Waldo & Magic, Inc.
Robert A. Heinlein
Two short novels exemplify Heinlein’s work as he ushered in the Golden Age of Science Fiction that followed the era of pulps. Reviewed by Ryder W. Miller

NONFICTION REVIEWS

No Simple Highway: A Cultural History of the Grateful Dead
Peter Richardson
Richardson’s biography gives a broader cultural history of The Dead, who were influenced by many of the famous icons of the 1960s and were bohemians before the term “hippie” was widely accepted. Reviewed by Ryder W. Miller

I’m Very Into You: Correspondence 1995-1996
Kathy Acker and McKenzie Wark
Between the mind games and authentic encounters in this collection of emails, the reader will find some potential for Acker’s words to transcend the grave. Reviewed by Spencer Dew

Women Who Make a Fuss: The Unfaithful Daughters of Virginia Woolf
Isabelle Stengers and Vinciane Despret
This complicated book, which takes its premise from Three Guineas, Woolf’s 1938 treatise on academia and the feminine, is a response to and an extension of the latter’s imperative: “Think we must.” Reviewed by Kelsey Irving Beson

Not That Kind of Girl: A Young Woman Tells You What She’s “Learned”
Lena Dunham
Dunham’s memoir-in-essays displays a special kind of bravery as she splashes from one anecdote to the next. Reviewed by Erin Lewenauer

Thermonuclear Monarchy: Choosing Between Democracy and Doom
Elaine Scarry
Scarry’s trenchant new works suggests that since the dawn of the nuclear age, the U.S. has stumbled away from its democratic ideals. Reviewed by Robert M Keefe

This Changes Everything: Capitalism vs. The Climate
Naomi Klein
At the heart of Klein’s latest book is how economic lust and a broken political system have precipitated our planet's climate catastrophe. Reviewed by Eliza Murphy

Rain Taxi Online Edition Spring 2015 | © Rain Taxi, Inc. 2015

Volume 20, Number 1 Spring 2015 (#77)

To purchase issue #77 using Paypal, click here.

INTERVIEWS

Joanna Fuhrman: The Year of Yellow Butterflies | interviewed by Susan Lewis
Alison Hawthorne Deming: On Extinction, Loss, and Survival | interviewed by Victoria Blanco

FEATURES

AWP @ MSP:
Literary Twin Cities | by Andy Sturdevant
Ten Things You’ll Need to Survive AWP | by William Stobb
Twelve Tips for Navigating AWP | by Kathryn Kysar
MSP Welcomes AWP

mnartists presents Molly Sutton Kiefer | by Lightsey Darst
The New Life | by Gary Sullivan

Plus:

77 Cover.indd

Cover art by Mary Schaubschlager

POETRY REVIEWS

Sonnets | Bernadette Mayer | by Christopher Luna
I Am Going to Fly Through Glass | Harold Norse | by Valery Oisteanu
Poems Descriptive of Rural Life and Scenery | Tim Earley | by Amy Young
A Poet Drives a Truck | Lowell A. Levant, et. al | by Heidi Czerwiec
The New Testament | Jericho Brown | by Adam Tavel
Songs from the Astral Bestiary | Tiff Dressen | by Rachel Moritz
Privacy Policy | Andrew Ridker, ed. | by John Bradley
Broken Hierarchies | Geoffrey Hill | by Adam Tavel
Collected Poems of James Laughlin | James Laughlin | by Patrick James Dunagan

FICTION REVIEWS

No Other | Mark Gluth | by Casey Michael Henry
Dora Bruder | Patrick Modiano | by Jesse Freedman
By The Book | Diane Schoemperlen | by Benjamin Woodard
All My Puny Sorrows | Miriam Toews | by Lindsay Gail Gibson
Preparation for the Next Life | Atticus Lish | by Robert M. Detman
With My Dog-Eyes | Hilda Hilst | by Caroline Wilkinson
The Ruins | Rafael Reyes-Ruiz | by Lori Feathers
The Trace | Forrest Gander | by Michelle Lancaster
Song of the Shank | Jeffery Renard Allen | by Garin Cycholl

COMICS & ART REVIEWS

The Man Next Door | Masahiko Matsumoto | by Jeff Alford
Here | Richard McGuire | by Steve Matuszak
American Grotesque: The Life & Art of William Mortensen | Larry Lytle & Michael Moynihan, eds. | by Kelsey Iving Beson

NONFICTION REVIEWS

Please Add to This | Bernadette Mayer | by Christopher Luna
Gay Berlin: Birthplace of Modern Identity | Robert Beachy | by Douglas Messerli
A Higher Form of Politics | Sophie Rachmuhl | by Dennis Barone
A Deadly Wandering: A Tale of Tragedy and Redemption in the Age of Attention | Matt Richtel | by Robert Rosenberger
Loitering | Charles D’Ambrosio | by Josh Cook
The Command to Look: A Master Photographer’s Method for Controlling the Human Gaze | William Mortensen | by Kelsey Irving Beson
Limber | Angela Pelster | by Renée E. D’Aoust
“Literchoor is My Beat”: A Life of James Laughlin, Publisher of New Directions | Ian S. MacNiven | by Patrick James Dunagan

To purchase issue #77 using Paypal, click here.

Rain Taxi Print Edition, Vol. 20 No. 1, Spring 2015 (#77) | © Rain Taxi, Inc. 2015

NEW SWEDISH POETRY: Aase Berg and Johannes Göransson

Thursday, April 23, 6:30 pm
American Swedish Institute, Larson Hall

Join us for an evening of riveting writing as Rain Taxi presents acclaimed Swedish poet Aase Berg and her American translator, poet Johannes Göransson. Following a brief reading, Berg and Göransson will have an onstage conversation about their work and the trajectory of Swedish poetry as a whole. Co-sponsored by the American Swedish Institute and the Department of Scandinavian Studies' "Out of Scandinavia" Artist-in-Residence Program at Gustavus Adolphus College.

Aase Berg is the author of six books of poetry, a young adult novel, and a book of criticism. She has four books in English translation, most recently Transfer Fat (2012) and Dark Matter (2013). She has won numerous awards, including the prestigious Aftonbladets Literaturpris for the best book of poetry in 2012. A founding member of the notorious Stockholm Surrealist Group, she is widely considered one of the most unique and influential of contemporary Swedish poets.

Johannes Göransson is the author of six books of poetry, most recently Haute Surveillance (2013), and the translator of several books from Swedish, including works by Aase Berg, Henry Parland, and Johan Jönson. Göransson emigrated from Sweden to the United States at age 13, and earned a BA from the University of Minnesota, an MFA from the Iowa Writers’ Workshop, and a PhD from the University of Georgia. He teaches Creative Writing at the University of Notre Dame and co-edits the literary press Action Books.

Arthur Ashe: Tennis and Justice in the Civil Rights Era

arthurasheEric Allen Hall
Johns Hopkins University Press ($34.95)

by Andrew Cleary

Watching politics without understanding the rules of the game is like watching a sporting event without any knowledge of its rules or traditions: it may seem to be a competition of some sort, but there is no way to know who is competing with whom over what. As with sports, large segments of the population have no emotional investment in these ongoing political competitions and manage quite well in life without paying any attention to who is winning or losing.
—W. Russell Neuman, The Paradox of Mass Politics

Neuman’s words may explain why it can take the work of a historian to tell how a man like Arthur Ashe could come to change the rules of the games—politics and sports—that ruled his life. Eric Allen Hall’s biography of Ashe is assiduous in giving context, ever-traceable in its sources, to the tennis player’s life: his childhood in segregated Richmond is recounted with a summary of how de jure segregation ruled the lives of American children; his coming of age as an athlete and ROTC member includes sketches of the Civil Rights Era on campus and in Vietnam; his ascendance to a globe-touring professional with public demonstrations against apartheid in South Africa includes glosses on the competitive structure of world tennis and the Cold War arrangement of power between the segregated nations of America and South Africa.

Ashe was not the first black athlete to compete in professional tennis, nor the first to win a Grand Slam title. In both cases the first was Althea Gibson, who won the U.S. Nationals a decade before Ashe won it in its rebranded U.S. Open form (and who went on to a successful professional golf career after her retirement from tennis). Both Gibson and Ashe were coached by Dr. Robert Walter Johnson, who, as Hall explains, encouraged all players under his tutelage to follow in Jackie Robinson’s footsteps:

Johnson knew that Jackie Robinson’s ascension to Major League Baseball had as much to do with his temperament as with his athletic abilities. Beaned, spiked, and taunted by racially motivated bench jockeyers, Robinson remained calm and composed, allowing his bat and feet to do the talking. . . . “His assumption,” Ashe wrote of Johnson in his diary, “was that if you wanted to get into a poker game, and there was only one game in town, you had better learn to play by the prevailing rules at that table.”

As Jackie Robinson pointed out in I Never Had It Made, this display of what Hall elides as “temperament” was a profound struggle to perform as “the image of the patient black freak,” inured to degradation from public policy on high down to the lowest dugout chatter. Temperament for an individual may work something like how James Baldwin described culture for a group of people: “not a community basket-weaving project, nor yet an act of God . . . [but] nothing more or less than the recorded and visible effects on a body of people of the vicissitudes with which they had been forced to deal.”

After winning the U.S. Open in 1968, Ashe began a years-long public and private struggle against South African apartheid. He applied for a visa to compete in the South African Open, and was promptly rejected. He signed on to a public call for sanctions against South Africa. When his world tennis ranking slipped from second to eighth and he failed to make the finals of the 1969 U.S. Open, French Open, Australian Open, or Wimbledon, Ashe was called on to answer charges that his “off-the-court issues” were depressing his athletic performance. “I must try as far as possible,” Ashe told the Los Angeles Times, “to shut out everything but tennis. But, of course, I can’t shut out the color issue. I think about it all the time . . . Is it possible to be a tennis player first and a black man second[?] It has to be. If I put the priorities the other way round I’ll be a poor tennis player and therefore a less effective black man.”

In 2014, Jason Collins played the last months of his professional basketball career after publicly coming out as gay. In announcing his retirement the following fall, Collins reflected on his earlier dread of coming out and being tarred with “the dreaded D word” as an excuse for teams not to hire him. “You know what a real distraction is? Maintaining a lie 24 hours a day, seven days a week, for most of your career, for most of your life. The energy involved in hiding the stress, shame, and fear of being gay is a full-time job. With all that removed, I was like a new person.”

This may echo Baldwin: “It is part of the price the Negro pays for his position in this society that, as Richard Wright points out, he is almost always acting. A Negro learns to gauge precisely what reaction the alien person facing him desires, and he produces it with disarming artlessness.” And it may be considered progress of some kind that the dissembling that has exhausted Collins is that which has guarded his sexuality, rather than that which forced Ashe and Robinson to fit their full personalities through the keyhole that American society allowed for black athletes to enter professional sports.

Or perhaps the mask fit better for Ashe, who by Hall’s account was as much a reserved intellectual as he was an explosive tennis player. As a teenager, Ashe first began to receive national attention for his wins in junior tournaments, like the National Interscholastic Championships in Charlottesville, Virginia, where Ashe won the 1961 final in straight sets. “Of course,” Ashe later recalled, “there was a great deal of fuss about being the ‘first black’ . . . to win at Charlottesville, etc. Those comments always put me under pressure to justify my accomplishments on racial grounds, as if sports were the cutting edge of our nation’s move toward improved race relations.”

In the decades since Robinson’s death, Major League Baseball has integrated to something approaching parity with wider American demographics, as just over 7% of players in 2012 were black, compared to 13% of the overall population. The league, meanwhile, has embraced the late pioneer, subsuming his persona into its ongoing campaign to identify the business interests of a multibillion-dollar corporation with a pageantry of American tradition, racial progress, and military parade. For his part, Arthur Ashe’s name graces the tennis center that hosts the U.S. Open; that tournament has seen no African-American male champion since, though Serena and Venus Williams have each taken the title twice.

It remains to be seen whether the example of players like Collins or Michael Sam, who in 2014 was the first openly gay player to be drafted by the National Football League, will have such effect on their sports as that of Gibson, Ashe, and Robinson. The legacy of the earlier players may still speak through the fact that neither Collins or Sam, players of color themselves, needed to perform as doubly best in sport and personal conduct in order to play professional sports. May it also not require the work of such careful scholars as Hall to recover their humanity from their symbolic status,

Click here to purchase this book at your local independent bookstore
Purchase this book at your local independent bookstore.
Rain Taxi Online Edition Winter 2014-2015 | © Rain Taxi, Inc. 2015

Village of Secrets: Defying the Nazis in Vichy France

villageofsecretsCaroline Moorehead
Harper ($27.99)

by Douglas Messerli

Although the short foreword to Caroline Moorehead’s Village of Secrets: Defying the Nazis in Vichy France makes it apparent that this work will be covering new material, the narrative itself begins rather slowly. Its first chapter, “Mea culpa,” centers on a few specific French-Jewish families, most of whom simply could not imagine that the pre-war anti-Semitism stoked by the likes of Charles Maurras, Xavier Vallat, Louis-Ferdinand Céline, and others would have a significant effect. They felt safe in their homeland. As the elderly Prime Minister Raymond Poincaré had declared: “After the Dreyfus affair, anti-Semitism will no longer ever be possible again in France.”

But with the defeat of the French by the Nazis, and the sudden split of the country into Nazi-controlled and Vichy-ruled territories, everything was turned on end: new edicts against the Jews were almost weekly posted. What once seemed impossible became a shocking reality these families suddenly had to face, some of them breaking up, sending the children and one parent into relative safety while the other remained behind to close up affairs or to follow when a safe haven had been reached.

If Moorehead’s work begins as a slow-rolling narrative of some individuals directly affected by these radical changes, it quickly moves, with ever-greater urgency, into an almost breathtaking adventure tale. As we learned after the war, Jews were hidden in various places throughout France, and others were helped to escape through Switzerland and Spain. Yet large numbers of French Jews, particularly as Eichmann and others in Germany demanded more and more roundups, were sent to their deaths in Auschwitz, Belsen, and other camps; at first these included primarily “outside” European Jews who had escaped to France from various countries, but by the end of the war the steady trainloads of children, middle-aged, and older Jews included nearly anyone the Gestapo and the Vichy government could ferret out. And the people who hid them were also arrested and sent off to prisons with few proper accommodations (no plumbing, little food, in many cases not even beds) and with high death rates. Particularly after the Allied attacks in November 1942 on northern Africa, which led the Germans to retaliate by marching into Vichy territory, the attacks on Jews, immigrants, and French citizens increased.

Most of this has been well documented in the hundreds of books about World War II and Vichy France. But what Village of Secrets reveals is startlingly different from the history of the country in general: it represents such astounding exceptions that, after reading this book, one feels a bit as if he or she has actually participated in history itself.

In one small region of Vichy France, something remarkable happened. There a protestant pastor, André Trocmé, with his wife Magda and their three young children, began a revolution that was to change everything we know about French history. A strong supporter of non-violence, Trocmé preached to his worshipers the idea not only of pacifism, but of what came to be described as a “conspiracy of good.” These quiet, almost silent families, who themselves had through the centuries suffered their own forms of persecution, determined to take in Jewish, Spanish-Republican, and other endangered children and adults.

Trocmé’s small hometown of Chambon-sur-Lignon had already become known for its healthy summer air, and had built large hotels to cater to children and their parents who suffered from chronic asthma and lung diseases. In winter the snow cover made the community, approachable primarily through a single rail line, almost impassable. For all these reasons the location was quickly perceived by the numerous brave individuals and organizations that had already banded together to help save children and adults from Vichy prisons as a possible destination. But even they might not have imagined what soon would transpire.

Not only were Trocmé, local innkeepers, teachers, and authorities willing to help, but numerous local farmers, shop-keepers, and clergymen in small surrounding towns joined in. Farmers, both Protestant and Catholic, willingly housed numerous children, mingling them, in some cases, with their own families. Priests, along with a few Catholic leaders, actively supported—in some cases even more radically than Trocmé—the underground activities. Rescuers within this region and from elsewhere set up connections, links, and codes to bring children to the region and, when fear grew near the end of the war that the Gestapo was moving in on the Plateau operations, created methods of escape and plans to sneak the children over the Swiss border. Forgers created new passports and other papers; doctors offered medical services; boy scout leaders led the children on hiking and camping trips to keep them fit; and the mayors of the small towns not only “looked the other way,” but actively participated in the cover-ups. In some cases, it appears, even Vichy and German authorities collaborated with the underground figures by warning them and failing to carry out Nazi demands.

Trocmé’s bravery and sometimes fool-hardy outspokenness, as well as his village’s exceptional activities, have been well known for several years; what Moorehead reveals are the intricacies, for better and worse, of that commitment and, more importantly, the fact that the entire region was filled with equally brave and sometimes even more daring individuals—all of whom together saved thousands from capture and possible extermination.

Detailing the vast network of these underground activities, Village of Secrets valiantly succeeds in separating myth from fact. Although at one time it was estimated that 5,000 people may have been saved in the Haute Loire, Moorehead suggests it was more likely from 800 to 1,000, with perhaps 3,000 more passing through and taken away to safety. The truth is just as astounding—that these small, isolated communities should have contained a population so like-minded in their humanistic values and equally tight-lipped about their activities in a time of so little food and so many personal threats to their lives is almost beyond imagination. Yet few of the natives, at War’s end, felt like they had done anything out of the ordinary.

Everyone who went through the experience was changed, some finding it difficult after the war to reintegrate into the Jewish community, others becoming notable figures in Israel, the United States, and other nations to which they scattered after the Holocaust. But all felt blessed just to be among the saved few who survived the German occupation of France. Pierre Bloch—one of the children central to the book’s narrative, now living in a kibbutz in Lebanon—expresses his wonderment of this experience: “We lived a very big adventure, an exceptional moment of time and place. It was something extraordinary to be young, engaged at a moment when France was so dark. There was something in the air, in the spirit of the people, that none of us ever forgot. All my life I have tried to live up to that moment.”

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Rain Taxi Online Edition Winter 2014-2015 | © Rain Taxi, Inc. 2015