Small Batch: an Anthology of Bourbon Poetry

smallbatchEdited by Leigh Anne Hornfeldt and Teneice Durrant
Two of Cups Press ($12)

by Lauren Gordon

The poems in the anthology Small Batch approach an interesting motif: bourbon. The concept sounds simple, but the variety of poetry contained within gleans quality through craftsmanship. In the introduction, Carla Carlton explains how making bourbon in small batches is not unlike the creation of poetry: “The success or failure . . . depends on the artistry of the maker.” The makers, in this case, are varied; ranging from Affrilachian Poets, to Cave Canem Fellows, Laureates and even freelance food writers. Under the careful editing of Leigh Anne Hornfeldt and Teneice Durrant, Small Batch goes down smoothly.

Many of the poems in this collection use bourbon as the subject, while other poems offer only a brief nod. Dan Nowak’s poem “A Slight Retelling of Greek Mythology With Bourbon” pays homage to the myth of Echo and Narcissus in prosody: “but still whenever you show me the picture of your lips / on the mirror I think of drowning myself in quicksilver.” The poem has a liquidity that is unironic. Nowak’s pacing becomes frenetic near the end of the poem as the speaker’s desperation mounts:

I’ve one more night
in this city or at least that’s what I’ll say because it
makes you hold my hand tighter and we’ll drink bourbons
with our free hands and throw compliments across
the table that sticks to our skins and I’ll wish your
lips stuck on my body and I would echo every move

The very nature of a small batch of bourbon is that it is hand-crafted, hard to emulate and repeat. It is, in essence, ephemeral, much like the relationship Nowak captures.

Hornfeldt and Durrant have also selected a number of poems that are more formal in structure, and one of the stronger poems is the darkly humorous “The Housesitter’s Note” by Juliana Gray. Gray imagines a note that begins benignly with details of a wilting basil plant and ends with the house sitter’s hijacking of the home owner’s life, even up to their death: “I softly passed away in your bed. / It’s all right. It was my time to go. / And now, you’d never know that I was there / in your tidy house, your green and purring space, / except for a ghost of bourbon in the air / and, on your pillow, a single foreign strand.” Bourbon is not the engine that propels the poem forward, but it is a “ghost” that resonates.

The poems in Small Batch vary in form and function, but together they are a complex brew. There are dizzying poems, devotional poems, narrative poems—and they all seem to linger with a satisfying finish.

Rain Taxi Online Edition Spring 2014 | © Rain Taxi, Inc. 2014