The Past in Fragments: an Interview with Julie Carr
by Andrew Zawacki Julie Carr’s unit of composition has tended toward the book, allowing her a wide, elastic format for thinking—and feeling—her way through an array of intertwined issues. Ranging in form from prose poetry to couplets, bi-columnar lyrics to concrete poems, Mead: An Epithalamion (University of Georgia Press, 2004) is divided into sixty-four numbered sections that […]